oops, there goes another civil right! kerplop!

December 23, 2010

The new religion: copyright fascism.

I.P. amen; I.P. amen; I.P. amen; together: I.P. amen; I.P. amen; hail to the RIAA: Hallelujah! Amen; amen; amen.

Say goodbye to our democracy in the name of copyright enforcement. All hail big brother. Amen.

Hey ASCAP! Can Paul Williams come out and play? Guess not.

July 30, 2010



Listen to CJC music on blogtalk radio

July 28, 2010

If you want to hear me discuss the music biz on radio, check out our show on blogtalk radio.  Tuesdays at 4pm pacific, 7pm eastern time. 


2 men enter, 1 man leaves

July 14, 2010

Lawrence Lessig Challenges


 Williams to a debate on Whether

 Creative Commons

Unermines Copyright   

from the throwdown dept (of Techdirt)

We’ve already written a couple of times about ASCAP’s bizarre anti-artist decision, as part of its fundraising campaign, to falsely imply that Creative Commons, EFF and Public Knowledge are seeking to undermine copyright. So far, about all this has done is piss off a bunch of ASCAP members who actually like these groups (especially those who use Creative Commons). Larry Lessig has now written a response, where he points out that Creative Commons relies on copyright and doesn’t seek to force anyone to use it at all. It just offers artists more choices in how they license their music. More interesting, however, is that Lessig then challenges ASCAP’s president, Paul Williams, to a debate on the topic:

So here’s my challenge, ASCAP President Paul Williams: Let’s address our differences the way decent souls do. In a debate. I’m a big fan of yours, and If you’ll grant me the permission, I’d even be willing to sing one of your songs (or not) if you’ll accept my challenge of a debate. We could ask the New York Public Library to host the event. I am willing to do whatever I can to accommodate your schedule.

Let’s meet and address these perceived differences with honesty and good faith. No doubt we have disagreements (for instance, I love rainy days, and Mondays rarely get me down). But on the issues that your organization and mine care about, there should be no difference worthy of an attack.

So, will ASCAP and Williams — who has been on an anti-Lessig rampage for a while now — step up and actually debate? And if Williams agrees to such a debate, will he finally stop making false claims about these groups?

you’re damn right it’s shocking!

May 4, 2010




Judge Tosses $2 Million Jury Verdict for Downloading 24 Songs as “Simply Shocking”

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Judge Tosses $2 Million Jury Verdict for Downloading 24 Songs as “Simply Shocking”



From Capitol Records Inc. v. Thomas-Rasset, 680 F.Supp.2d 1045, 1054 (D.Minn. 2010)

The Court has considered the strong need for deterrence in this particular case, the difficulty in quantifying the damages caused by the chain effect of Thomas-Rasset’s distribution of copyrighted sound recordings over the Internet, the large scale damages caused by online piracy in aggregate, and the substantial impediments to identifying and pursuing infringers. However, despite the combination of these justifications and the Court’s deference to the jury’s verdict, $2 million for stealing 24 songs for personal use is simply shocking. No matter how unremorseful Thomas-Rasset may be, assessing a $2 million award against an individual consumer for use of Kazaa is unjust. Even Plaintiffs admit that Thomas-Rasset is unlikely to ever be able to pay such an award. Having determined that the current verdict is so shocking that it must be remitted, the Court next faces the task of assessing the proper amount of remittitur Copyright Litigation Handbook (West 4th Ed. 2009) by Raymond J. Dowd Available through Amazon and Westlaw (Directory: COPYLITIG) Copyright Litigation Blog now on Twitter 


April 26, 2010



The so-called performance rights act is just a ploy by the RIAA to get more money for the record labels. 

Inasmuch as radio stations already pay for the extortion called a blanket license, this will be an additional protection racket fee.

Read the article, decide for yourself.

Return from the real world

March 17, 2010

Hey, if anyone mised me, I’m back.

Been too busy to surf the net, chat with anyon and argue argue argue.

But, I’m back–and I plan to refrain from arguing.

Some thoughts: 

the 21st century and digital doings have killed creativity.

TV commercials are annoying.

Musicians just ant to crate music, maybe register it with the copyiht office or ascap, and then they give up.  They think that’s all it takes to warrant them fame and fortune.


A teen’s comments on the future of the music biz

November 21, 2009

Why the Music Industry is Going to Die


November 20, 2009 – Comments (2)


As I sit here typing, a phenomenon you may or may not be aware of is occuring in electronic media. Contrary to what you may of have heard, or what some people have said, this phenomenon is not going to go away, and in fact, will be the defining characteristic of the new era in the technological world.

I am talking about illegal downloading.

In the past 10 or so years, the spread of file sharing programs has rendered the conventional business model for selling music and software programs obsolete. Some of these programs you may of heard of, programs and websites like Bearshare, Ares, Frostwire, Limewire, Bittorrent, Pirate Bay, Isohunt, and others are now the dominant way for the acquistion of both music and software. 

At this point, 95% of music is downloaded online without paying. The CD is dead. Online music stores like iTunes and Rhapsody are hardly hanging on to a sliver of the music market, and everyday others leave for aforementioned programs. The music industry doesn’t want you to know this. They have spent a fortune trying to sway public opinion that this trend is only temporary, and that with the proper government regulation and a healthy public awareness campaign, they can end this problem.

OoohHH, how wrong they are.

No one in my high school, and hardly anyone below 25 pays for music anymore. There is actually a huge negative stigma on those that purchase music. You’re seen as “paying the man” for something you can and should get for free. The public ad campaign launched by the RIAA is absoulouty laughable. They are never going to be able to stop it.

The arguements that the RIAA makes against downloading are laughed down by anyone even mildly familiar with downloading.


1. Downloading music will give you viruses.

Response: A decent firewall or anti virus program will keep you clean, and you should only download music that is “at the top of the list”. Many viruses, trojans, and malware are planted by RIAA agents to discredit download sources, and this only stirs up anger towards them.


2. Downloading hurts artists.

Response: Large artists with high volume songs are hurt the most, but music downloading helps smaller bands by increasing their exposure. It’s hard for people to feel guilty about this when they know only a few cents on every download goes to the artist.


3. It’s stealing and uncool to download.

Response: With a product that can by duplicated for no cost, it’s no wonder that people will take it for free. Coolness is and always will be fighting against the man, and thumbing your nose at big companies is something every kid loves to do.


The music industry is petrified about the future, with good reason to be. The future of music is going to be bands realeasing their music for free, and making their money on merchandise and touring. In other words, the middle man is cut out and the large music companies are left cold.

The newest trend is downloading software from the internet. This is an emerging problem that has the potential to hurt companies like EA and Blizzard. 

For anyone with holdings in companies that rely on conventional methods to produce and distribute software, music, and movies, please be aware that the future is going to be very perilous for your investment. Regardless of wheather it is right or wrong, a whole generation is growing up used to not paying for electronic media. The older customers are dieing out, and they will take the old music industry with them.

Broadcasters tell Congress why PRA is bad

November 21, 2009


NAB Outlines Negative Impact of Performance Fee

WEBWIRE – Thursday, November 19, 2009

— Congressional opposition to RIAA-backed bill grows —

WASHINGTON, DC — Representatives from the National Association of Broadcasters met with members of Congress and representatives from the Recording Industry Association of America (RIAA) to reiterate the negative impact an additional performance fee would have on local radio stations and its 235 million weekly listeners.

NAB Joint Board Chairman Steve Newberry, president and CEO of Kentucky-based Commonwealth Broadcasting, and NAB Radio Board Chairman Charles Warfield, president and COO of ICBC Broadcast Holdings, along with representatives from the National Association of Black-owned Broadcasters and the Spanish Broadcasters Association attended the meeting. Rep. Mike Conaway (TX-11), an original co-sponsor of a countering resolution known as The Local Radio Freedom Act, also participated in today’s meeting.

Commenting on today’s meeting, NAB Executive Vice President Dennis Wharton issued the following statement:

“Out of deference to key members of Congress, NAB representatives met today with representatives of RIAA and the music industry to discuss pending performance tax legislation. NAB representatives, along with representatives of minority-owned radio stations, reiterated our strong concerns over the negative impact that the bill would have on the ability of free and local radio stations to continue serving our listeners”

Meanwhile Utah Democrat Jim Matheson (UT-2) became the 253rd member of House of Representatives to cosponsor the Local Radio Freedom Act, a bipartisan resolution that opposes “any new performance fee, tax, royalty, or other charge” on local radio stations for music aired free to listeners. To date a bipartisan group of 253 House lawmakers and 27 U.S. Senators have publicly expressed opposition to the RIAA-backed legislation.

The 253 House cosponsors of the Local Radio Freedom Act include:

Robert Aderholt (AL-4)
John Adler (NJ-3)
Rob Andrews (NJ-1)
Todd Akin (MO-2)
Rodney Alexander (LA-5)
Jason Altmire (PA-4)
Mike Arcuri (NY-24)
Steve Austria (OH-7)
Michele Bachmann (MN-6)
Spencer Bachus (AL-6)
Brian Baird (WA-3)
Gresham Barrett (SC-3)
John Barrow (GA-12)
Roscoe Bartlett (MD-6)
Melissa Bean (IL-8)
Shelley Berkley (NV-1)
Marion Berry (AR-1)
Judy Biggert (IL-13)
Brian Bilbray (CA-50)
Gus Bilirakis(FL-9)
Sanford Bishop (GA-2)
Roy Blunt (MO-7)
John Boccieri (OH-16)
Jo Bonner (AL-1)
John Boozman (AR-3)
Dan Boren (OK-2)
Leonard Boswell (IA-3)
Charles Boustany (LA-7)
Allen Boyd (FL-2)
Kevin Brady (TX-8)
Robert Brady (PA-1)
Bruce Braley (IA-1)
Bobby Bright (AL-2)
Paul Broun (GA-10)
Corrine Brown (FL-3)
Henry Brown (SC-1)
Ginny Brown-Waite (FL-5)
Vern Buchanan (FL-13)
Michael Burgess (TX-26)
Dan Burton (IN-5)
Steve Buyer (IN-4)
John Campbell (CA-48)
Shelly Moore Capito (WV-2)
Ken Calvert (CA-44)
Anh “Joseph” Cao (LA-2)
Mike Capuano (MA-8)
Dennis Cardoza (CA-18)
Russ Carnahan (MO-3)
Christopher Carney (PA-10)
Andre Carson (IN-7)
John Carter (TX-31)
Bill Cassidy (LA-6)
Michael Castle (DE-AL)
Ben Chandler (KY-6)
William Lacy Clay (MO-1)
Mike Coffman (CO-6)
Tom Cole (OK-4)
Mike Conaway (TX-11)
Jerry Costello (IL-12)
Joseph Courtney (CT-2)
Ander Crenshaw (FL-4)
Henry Cuellar (TX-28)
John Culberson (TX-7)
Elijah Cummings (MD-7)
Artur Davis (AL-7)
Danny Davis (IL-7)
Geoff Davis (KY-4)
Lincoln Davis (TN-4)
Charles Dent (PA-15)
Lincoln Diaz-Balart (FL-21)
Mario Diaz-Balart (FL-25)
Norm Dicks (WA-6)
Joe Donnelly (IN-2)
Steve Driehaus (OH-1)
John Duncan (TN-2)
Chet Edwards (TX-17)
Vernon Ehlers (MI-3)
Brad Ellsworth (IN-8)
Jo Ann Emerson (MO-8)
Bob Etheridge (NC-2)
Mary Fallin (OK-5)
Chaka Fattah (PA-2)
John Fleming (LA-4)
Jeff Fortenberry (NE-1)

Bill Foster (IL-14)
Virginia Foxx (NC-5)
Rodney Frelinghuysen (NJ-11)
Scott Garrett (NJ-5)
Elton Gallegly (CA-24)
Jim Gerlach (PA-6)
Phil Gingrey (GA-11)
Kay Granger (TX-12)
Sam Graves (MO-6)
Al Green (TX-9)
Gene Green (TX-29)
Parker Griffith (AL-5)
Brett Guthrie (KY-2)
Ralph Hall (TX-4)
Deborah Halvorson (IL-11)
Phil Hare (IL-17)
Gregg Harper (MS-3)
Alcee Hastings (FL-23)
Doc Hastings (WA-4)
Dean Heller (NV-2)
Wally Herger (CA-2)
Stephanie Herseth Sandlin (SD-AL)
Baron Hill (IN-9)
Ruben Hinojosa (TX-15)
Pete Hoekstra (MI-2)
Tim Holden (PA-17)
Duncan Hunter (CA-52)
Bob Inglis (SC-4)
Lynn Jenkins (KS-2)
Timothy Johnson (IL-15)
Walter Jones (NC-3)
Jim Jordan (OH-4)
Steve Kagen (WI-8)
Marcy Kaptur (OH-9)
Dale Kildee (MI-5)
Mary Jo Kilroy (OH-15)
Ron Kind (WI-3)
Jack Kingston (GA-1)
Mark Kirk (IL-10)
Ann Kirkpatrick (AZ-1)
Larry Kissell (NC-8)
John Kline (MN-2)
Frank Kratovil (MD-1)
Doug Lamborn (CO-5)
Leonard Lance (NJ-7)
Rick Larsen (WA-2)
Tom Latham (IA-4)
Steve LaTourette (OH-14)
Robert Latta (OH-5)
Jerry Lewis (CA-41)
John Lewis (GA-5)
John Linder (GA-7)
Chris Lee (NY-26)
Frank Lucas (OK-3)
Frank LoBiondo (NJ-2)
Dave Loebsack (IA-2)
Blaine Luetkemeyer (MO-9)
Ben Ray Lujan (NM-3)
Cynthia Lummis (WY-AL)
Daniel Lungren (CA-3)
Don Manzullo (IL-16)
Kenny Marchant (TX-24)
Betsy Markey (CO-4)
Jim Matheson (UT-2)
Carolyn McCarthy (NY-4)
Michael McCaul (TX-10)
Tom McClintock (CA-4)
Patrick McHenry (NC-10)
John McHugh (NY-23)
Mike McIntyre (NC-7)
Howard McKeon (CA-25)
Cathy McMorris Rogers (WA-5)
Kendrick Meek (FL-17)
Charlie Melancon (LA-3)
Michael Michaud (ME-2)
Brad Miller (NC-13)
Candice Miller (MI-10)
Gary Miller (CA-42)
Jeff Miller (FL-1)
Walt Minnick (ID-1)
Harry Mitchell (AZ-5)
Alan Mollohan (WV-1)
Dennis Moore (KS-3)
Jerry Moran (KS-1)
Sue Myrick (NC-9)

Randy Neugebauer (TX-19)
Devin Nunes (CA-21)
Glenn Nye (VA-2)
James Oberstar (MN-8)
Pete Olson (TX-22)
Solomon Ortiz (TX-27)
Frank Pallone (NJ-6)
Erik Paulson (MN-3)
Bill Pascrell (NJ-8)
Ron Paul (TX-14)
Mike Pence (IN-6)
Tom Perriello (VA-5)
Tom Petri (WI-6)
Pedro Pierluisi (PR-At Large)
Joe Pitts (PA-16)
Todd Platts (PA-19)
Ted Poe (TX-2)
Earl Pomeroy (ND-AL)
Bill Posey (FL-15)
David Price (NC-4)
Tom Price (GA-6)
Adam Putnam (FL-12)
George Radanovich (CA-19)
Nick Rahall (WV-3)
Charles Rangel (NY-15)
Dennis Rehberg (MT-AL)
Dave Reichert (WA-8)
Silvestre Reyes (TX-16)
Phil Roe (TN-1)
Harold Rogers (KY-5)
Mike Rogers (AL-3)
Mike Rogers (MI-8)
Dana Rohrabacher (CA-46)
Peter Roskam (IL-6)
Mike Ross (AR-4)
Ileana Ros-Lehtinen (FL-18)
Edward Royce (CA-40)
Dutch Ruppersberger (MD-2)
Bobby Rush (IL-1)
Paul Ryan (WI-1)
Tim Ryan (OH-17)
John Sarbanes (MD-3)
Steve Scalise (LA-1)
Jean Schmidt (OH-2)
Aaron Schock (IL-18)
Allyson Schwartz (PA-13)
David Scott (GA-13)
Pete Sessions (TX-32)
Joe Sestak (PA-7)
John Shimkus (IL-19)
Carol Shea-Porter (NH-1)
Heath Shuler (NC-11)
Bill Shuster (PA-9)
Mike Simpson (ID-2)
Albio Sires (NJ-13)
Ike Skelton (MO-4)
Adrian Smith (NE-3)
Christopher Smith (NJ-4)
Zack Space (OH-18)
Mark Souder (IN-3)
John Spratt (SC-5)
Cliff Stearns (FL-6)
Bart Stupak (MI-1)
John Sullivan (OK-1)
Harry Teague (NM-2)
Lee Terry (NE-2)
Mike Thompson (CA-1)
Glenn Thompson (PA-5)
“Mac” Thornberry (TX-13)
Todd Tiahrt (KS-4)
Pat Tiberi (OH-12)
Dina Titus (NV-3)
Mike Turner (OH-3)
Fred Upton (MI-6)
Peter Visclosky (IN-1)
Greg Walden (OR-2)
Timothy Walz (MN-1)
Lynn Westmoreland (GA-3)
Ed Whitfield (KY-1)
Charlie Wilson (OH-6)
Joe Wilson (SC-2)
Rob Wittman (VA-1)
Frank Wolf (VA-10)
Don Young (AK-At Large)

The Local Radio Freedom Act’s 27 Senate cosponsors are:

John Barrasso (WY)
Max Baucus (MT)
Jeff Bingaman (NM)
Christopher Bond (MO)
Sam Brownback (KS)
Richard Burr (NC)
Thad Cochran (MS)
Susan Collins (ME)
Mike Crapo (ID)

Michael Enzi (WY)
Judd Gregg (NH)
Kay Hagan (NC)
James Inhofe (OK)
Johnny Isakson (GA)
Mike Johanns (NE)
Tim Johnson (SD)
Mary Landrieu (LA)
Joseph Lieberman (CT)

Blanche Lincoln (AR)
Benjamin Nelson (NE)
Jim Risch (ID)
Pat Roberts (KS)
Olympia Snowe (ME)
Jon Tester (MT)
John Thune (SD)
David Vitter (LA)
Roger Wicker (MS)

Everyone’s a musician

November 4, 2009

With all of the toys and toold tody, everyone can be a musician.  No talent is necessary–in fact, having talent is a nusiance.  All you have to do is let the progrm control, and just make it loud and nonsensical.  Voila, music!  It you write lyrics, they don’t have to rhyme or make sense.  If you cn’t thuink of a subjedt remember tht in rap, booty and muurder are always well received.  Oh, yeah, and sound angry.  That’s the ticket.  In the b.g., create a 1-2-3 music loop of bout 3-5 seconds and you’re done.

Then upload it to some music site and fame awaits you.

And with more and more of you doing the same, music will be cheper and cheper and no one will be able to make any money from it, so no one will be able to register a copyright and then music won’t be protcted and it’ll diappear.

Then we an get back to something good  BACH!